User:Freeman1378

Personal Information.
I am a 22 years old university student who lives in Edmonton, Canada.

Favourite Movies
- Raiders Of The Lost Ark

- The Prestige

- Mad Max: Fury Road

- The Dark Knight

- Saving Private Ryan

- Goodfellas

- Taxi Driver

- Alien/Aliens

- The Thing

- Brokeback Mountain

- Toy Story Trilogy

- Up

- Casino Royale

- The Social Network

- Unforgiven

- The Shawshank Redemption

Favourite TV Shows
- Breaking Bad: A brilliant show from top to the bottom with outstanding writing, characters, and directing making this the one to beat in the medium of TV. An easy 10/10.

- Game Of Thrones (S1-S4): While the final seasons represented a disappointing collapse in quality for this series, GOT in its prime was a absolute titan of a series with a pitch perfect mixture of spectacle, stakes, depth, and incredible dialogue making this a must watch cultural phenomenon.

- Rick And Morty: A wonderful Sci-fi comedy that combines feels, laughs, sharp satire, and inventive premises to become a infinitely rewatchable and quotable blast of a animated show.

- Futurama: In a way this is Rick and Morty's spiritual predecessor and excels in many of the same areas but trumps it in two key areas, the cast and emotion as the crew of the Planet Express is just so damn lovable and the emotional moments always land from The Late Phillip J. Fry to Jurassic Bark.

- Bojack Horseman: A more depressing and somber show compared to other animated shows on this list but this one never fails to make me laugh or cry due to writing that is sensitive and creative in equal measures.

- Attack On Titan: The show that I can't stop discussing on Fandom or looking forward to week after week due to its inventive world, excellent action, stellar voice acting, and of course beautiful animation. Definitely my recommendation for any one interested in starting to watch anime as this property is bereft of the worst elements of the medium like fanservice but brings the best elements of this medium to the front such as a incredibly unique world and action set pieces that are unlike anything in Western media.

- Fate/Zero: This is my favourite anime as it has everything I want from the medium with great action (Kirei vs Kerry, Lancer vs Saber, and Rider using his NP for the first time are all incredible), engaging world building, industry best animation, and a shockingly tight script that handles a large cast of characters incredibly well while developing an engaging plot around them. The second season especially is one of my all time favourite seasons of TV with all the aforementioned positives turned up to 11 and incredible payoffs to everything that was set up in S1.

- Barry: A show that I initially watched as a appetizer to Westworld S2 but eventually came to be the main course to both Westworld and GOT S8. This show is beautifully acted and written with an incredibly flawed but engaging character at its core. It is also one of the only shows that routinely surprises and shakes me to my core as a result of the perfect fusion of acting and writing. Good luck Mr. Hader on repeating at this years emmy awards as you seriously deserve it.

- Black Mirror: A show that is definitely starting to lose its edge but has enough instant classic episodes to make this an easy recommendation. Whether its a absolute sucker punch like White Christmas or a shockingly beautiful romance story like San Junipero this show at its best is an example of the heights that good Science Fiction can reach and hopefully next season is a return to those heights.

- Fargo: A fantastic anthology series that perfectly captures the style of the Coen Brothers and is simply spectacular in every way a TV show can be from the acting, writing, direction, and thematic cohesion. This is definitely one of the greats and everyone should check it out.

- Death Note: A nostalgic choice as this was the first adult TV show I watched after primarily sticking to TMNT, Ben 10, and Naruto when I was younger but I still love the characters and how the show is an absolutely addicting twist on the classic Sherlock/Moriarty rivalry.

- American Crime Story: Two absolutely fantastic stories that take two distinct approaches to telling two different stories. OJ is a absolute powerhouse with a great ensemble cast that manages to provide a comprehensive breakdown and analysis of one of the most infamous moments in American history. From Race to Gender to the media circus no one is spared in OJ. Versace is a surprisingly complex portrayal of a infamous serial killer told in reverse order that succeeds not just because of its unique narrative structure but because of Darren Criss's masterful performance as Andrew and how its writing analyzes how societal and personal problems caused one man to break.

- Chernobyl: A recent watch but an absolutely powerful one that like Breaking Bad for long form drama is the new mini series to beat as a result of like OJ being an impressively comprehensive breakdown of a infamous disaster that not only faithfully reenacts the disaster but adds meaningful subtext to it. Add in a powerhouse performance from Jared Harris and outstanding direction that captures the horror of Chernobyl and you have a masterpiece.

Better Call Saul: Probably the greatest spinoff ever as like the series it spawned from Saul is a masterclass in writing (characters, pacing, and dialogue are all handled flawlessly) backed up by an outstanding ensemble cast. Where it differentiates itself from BB is in its smaller scale and slower pace as this is a show more defined by subtle character moments than grand set pieces but it works incredibly well for Saul successfully painting a portrait of someone who is equal parts lovable and vile and how they came to be that way.

Favourite Games
- The Witcher 3: Wild Hunt: This is my favourite game of the current generation with fantastic gameplay, writing, and open world design all making this an exemplar video game. I just love soaking in the world of this game and listening to gorgeous music (Fields Of Skellige is a all time great track) as I wander and as a result I find this to be one of the most relaxing gaming experiences one can have. The fact that there is some cool dungeon to explore or a brilliant side quest (from the hilarious to the tragic and the grim this game has it all) also shows other developers (Cough Ubisoft Cough) how open worlds should be designed as the content should be naturally rewarding rather than done out of OCD. The main quest is also fantastic with a lovable ensemble of characters and epic sense of scale that isn't replicated in many games. Finally the expansions of this game are excellent with the haunting Hearts Of Stone having an excellent story anchored by a great villain while Blood & Wine is higher quality than most modern games providing a entirely new open world in the form of the wonderful Toussaint a area that feels incredibly unique from the other areas and also comes with 20 hours of new content which is ridiculous for its price. Seriously I paid 75 bucks for this game overall (50 for the base on a prerelease deal and 25 for the expansions) and it still feels like too little for my most played game on PS4 (500 Hours total across 5 playthroughs).

- Bloodborne: A beautiful nightmare would be the best way to describe this game with its oppressively dark atmosphere and crushingly difficult gameplay (Defiled chalice dungeon is probably the hardest thing I've ever done for a trophy) making this feel unbeatable at times (I first played this game in 2016 and Father Gascoigne beat my ass so bad I left it alone for 3 years) but the experience is also completely intoxicating. This game is a stone cold masterpiece as a result of having possibly the greatest third person combat system I've ever played, amazing boss fights (the mechanics and designs of these are A+), and level design that can match the best of Zelda and Metroid. Bring it on Old Hunters DLC!

- Persona 3 + 5 (Haven't played 4 yet): I played these two back to back and feel that they are easily some of the greatest JRPGs ever as a result of combining compelling character writing, social elements, and RPG systems to create something that is wholly unique in the sphere of gaming. Persona 3 and 5 are also great stories with 5 being one of the most uplifting games I've ever played while 3 is a dark somber experience that had me crying by the end. The music also deserves special mention with both tracks being fantastic and some of my personal favourites. Finally the gameplay in these games is just really fun and addicting as a result of the dungeon exploring, combat, and social activities all being perfectly in sync with each other to push a solid JRPG into the stratosphere.

- Fallout: New Vegas: A flawed masterpiece is the best way to describe this game as it is still a buggy mess that suffers from a year long development cycle but the world, characters, and role playing are some of the greatest ever as result of Avellone & crews sharp writing and understanding of what makes a role playing game great which is the ability to be whoever you want to be. The DLC is also exceptional for this game containing stand out characters like Ulysses and Joshua Graham as well as radically different approaches that highlight different elements of the Fallout experience (Ex. Survival, dark humour, and choice) and reinforce why they are great.

- Uncharted 2: Among Thieves: A non-stop thrill ride that perfectly replicates the Indiana Jones experience with fun characters and thrilling action sequences making this one of the better Triple A action games of its generation.

- The Legend Of Zelda (Ocarina, Windwaker, and Majora's Mask): It was hard to pick one game from this franchise so I picked a couple of personal favourites from the excellent pile. I love this franchise and these games are what got me into gaming as a whole with Windwaker being the first game I ever completed and I just adore everything about them from the music, exploration, and boss fights. I also love that these games never fail to innovate while keeping their identity intact as most franchises struggle with evolution but Zelda never does from Ocarina's masterful jump to 3D to Majora's strange tone and unique mechanics to Windwaker's beautiful art style and nautical bent. Still waiting to get a Switch and play Breath Of The Wild but I'm super excited.

- Super Mario Galaxy 2: Probably my favourite platformer ever as this game has airtight controls, wonderful music, and creative mechanics that never fail to surprise. Definitely would recommend all Mario titles but this is the one that for whatever reason I just love the most and that is impressive considering the consistency of this franchise.

- Metroid Prime: A great franchise that like Zelda made a successful leap to 3D. I think Prime is on the same level as Super Metroid but I separated the two because they are a part of the same franchise but also fundamentally different games with Prime being the slower paced and more deliberate game. This is ultimately this games strength though as the world and mechanics are brilliantly designed to reinforce patterns in the player and this ultimately makes the exploration even sweeter than Super as when I noticed details like water bouncing off thin air it made me want to come back and explore once I got the appropriate item making the overall experience even sweeter. The rewards for exploration are also exceptional with different attacks and immediate gameplay benefits making backtracking always worth it. The boss fights are better than Super with the last two (Meta Ridley and Metroid Prime) being shining examples of what boss fights should do, test the player on their skill and knowledge. The fact that the exploration makes these boss fights more manageable (Prime can take out whole energy tanks in one hit) is also incredibly satisfying rewarding the player for going for 100%. Finally this games atmosphere and details are absolutely revolutionary setting the bar for how to make a world feel immersive and alive. Probably my favourite game of the 6th generation.

- Super Metroid: The freeform nature of this game is pretty flawless capturing a true sense of exploration that other games fail at. Add in precise controls and lovely sprite visuals that still hold up today and you have a wonderful game. The infinite replayability of this game is also great with speed running being a legitimately fun way to play this game as I felt like I was getting better with each playthrough and knocking hours off my runtime is a blast. This game is pretty close to perfection and I think it earns its reputation even with a weak ending fight against MB.

- The Last Of Us: A game that I think i've grown to like more over the years because of its engaging characters and thoughtful ending making this more than just another post apocalyptic product. The gameplay is also surprisingly thoughtful nailing the feeling of being a survivor that has to use their entire kit to survive. The game also provides plenty of opportunities for stealth rather than always being forced combat scenarios but even when that happens the game is still very fun due to its tactical nature. Not really sure if this game needs a sequel because of that ending but I'm still hyped to see where it goes.

- Batman: Arkham (Asylum + City): These two games absolutely nail the character and world of Batman as the result of the combat, voice acting, and incredible moments (Scarecrow's fakeout, Mr. Freeze's Boss Fight etc) that appear in these two games. These games are pretty close to each other in terms of quality but they both have their own unique flaws and positives. Asylum is the tightest Arkham game with very little filler but also has a weaker combat system (multi counters are non existent, no gadget implementation) and some super meh boss fights (Joker and Bane are head scratchers that don't feel very true to either character). City on the other hand is grander in scale but comes with more filler (there is one too many Riddler trophies) but also has near perfect combat and superior boss fights (Freeze is a all time great and Clayface is great as well) to Asylum.

- Red Dead Redemption: A game that nails the aesthetic of a western and marries it to a open world that is full of things to do. However this games greatest achievement is its exceptional story which is just about perfect in my eyes with a great lead in John, detestable villains (Ross is one of the only characters in media I truly despise), and a tragic ending I'll never forget. RDR 2 is also fantastic narratively but this game has less cluster and feels purer and as I result I pick RDR 1 for my Rockstar title.

- Final Fantasy (6 + 9)

- Chrono Trigger

- Star Wars: Knights Of The Old Republic (1 + 2)

- Mass Effect 2: On the surface this game appears to be a dumbed down 3rd person shooter but the writing and excellent roleplaying elements of this game really lift it up making your interactions truly matter. It all comes to a head in its spectacular climax were your relationships with the characters are pushed to the max and every choice has a consequence (Ex. getting your favourite character killed) making this a finale that nails the feeling of starring in an incredible movie climax.

- Planescape Torment: This game is on here not because its a particularly excellent game with its dated combat systems but because its an incredible narrative experience that uses the medium of RPGs to talk about concepts like identity and choice in a way that is remarkably complex and leaves lots of room for discussion. It also doesn't hurt that the games dialogue, characters, and VA work is fantastic really bringing this story and world to life.

Recently Watched
- Attack On Titan S3 Part 2: This is probably one of the most faithful adaptations I've ever seen and as a result narratively it has the same pros and cons with the spectacular moments still being spectacular (Ex. Monkey Sushi, CHARGE!, and a Colossal Fall) while the flimsier moments are still meh (Armin's big moment was completely defused by reading the manga). On the other side the animation of this arc is all over the place with the Beast Titan material being spectacular (nearly on par with Ufotable's work on Fate especially Monkey Sushi like my lord that was incredible) while the Colossal Titan looked absolutely awful compared to Isayama's crisp drawing with ugly cgi really dragging these sections down. When these sections are so vital to the story the animation needs to be top notch and unfortunately the quality wasn't there. Some of the Armoured Titan material also had some very shoddy animation with that fight in episode 2 clearly having its budget slashed. Unfortunately this is one part of the story that was lesser than its manga counterpart as a result of the aforementioned animation issues as it did rip me out of the show and was not up to par with the high level this show had previously operated on. The voice acting however is typically great and Sawano is still a master so WIT minus some animation and budget choices still did a very good job with adapting RTS. Overall though this still would get a 8/10 because the show is still wildly entertaining despite its flaws and the fact that as a manga reader I'll still wait a week behind to just watch a new episode is a testament to the shows strength.

- Chernobyl: See Fav TV shows for breakdown.

- Barry S2: A season 2 that was somehow even better than S1 with intense acting, stellar writing, and great direction taking this series to the next level. Easy 10/10 as I couldn't have loved this any more than I did and I am hyped as hell for S3.

- Game Of Thrones S8: A complete disaster of a script undermined the hard effort that went into the production and acting of this show reducing a once proud series into a poorly made blockbuster where logic and good character development go to die. I hated the character writing of this season from how they gained brain damage (Dany kinda forgot about the iron fleet. Like what?!), regression (everything to do with Jamie was bizarre), or unearned development (Dany) to suit the plot even if it didn't make any sense. The finale was a unsatisfying disaster with flat lifeless direction, non sensical pacing, and painfully on the nose metaphors that showed how far the show has fallen. Honestly my expectations were low after the braindead Beyond The Wall but this was even worse than I could of have possibly imagined. I would score this a 4/10 as it was just so dreadfully mediocre at its best (fanservice and dull dialogue gross) but at its worst it was a viable candidate for the razzies of TV (not 32 nods at the emmys) showing that without a good script a tv show is dead on arrival.

- Black Mirror S5: This was definitely Black Mirror's worst season yet. First up is Striking Vipers a well acted but ultimately poor man's Brokeback Mountain where emotion is replaced with nothing but lust and a mediocre ending. Smithereens is also solidly acted but has a message that feels far too simplistic for Black Mirror. The Miley Cyrus one is kinda half assed and I feel like it didn't do justice to the concept of abusing dead celebrities (Ex. that hideous Tarkin from Rogue One) as the lack of focus in the plot ultimately ruined the episode (Miley should have been the sole focus and the other girls shouldn't have even have existed). This season would be a 6/10 as it was well acted and nicely shot but was remarkably uninspired for a show that usually produces at least two must watches per season and I hope the scripts are tighter next season as this was the universal problem that plagued all 3 episodes.

- Mission Impossible Fallout: I loved this movie and would definitely say its the best Mission Impossible yet. This is a pure action movie that is completely thrilling from start to finish as a result of Christopher McQuarrie's stellar direction and tight scripting that gives the characters just enough personality while focusing on spy movie goodness. The movie is also brilliantly shot with all the action being clean and easy to see rather than a bunch of shaky cam shots and the editing is some of the best this side of Fury Road. Definitely a 9/10 as it doesn't quite reach masterpiece level (Ex. the bad guy does occasionally act petty and dumb) but it is so damn entertaining and well made that it couldn't be anything less than a 9 and a series best with a definite recommend.

- Avengers Endgame: Surprisingly enough I actually really liked this movie despite being indifferent towards Infinity War. The big difference here was that this movie takes enough time to slow down and focus on the characters. I really enjoyed the character work in this movie as nearly every character had a great arc or a good moment from Iron Man to the surprise MVP Nebula and it made the movie a joy to watch. The action was also used more sparingly but it made the epic action moments land better (especially the climax) as a result of not overloading it like Infinity War where a big CGI battle happened every 15 minutes or so. Finally the surprises in the movie were a pleasant treat as while I did correctly guess many elements there was still a enough surprises to keep it unpredictable enough. Overall this is superhero spectacle done right and I can't wait to see how Marvel plans for the future, 9/10.

- Code Geass R1 + R2: The biggest disappointment of the year as I hated nearly everything about it. I feel that this is the kind of show that defines everything I don't like about anime (tropes, fan service, frustrating characters) and post-Watchmen wannabes (faux intellectualism, failed moral ambiguity) and I just didn't like it.

- Neon Genesis Evangelion and End Of Evangelion: I have wanted to watch these shows for a very long time because of their equally iconic/controversial nature and went in with a open mind thinking if it was bad at least I scratched something off my watchlist and if I liked it then I would be glad that it is worth the wait. Ultimately i came out of this franchise with a very positive opinion as even though it was incredibly strange and indescribable at times like a bad acid trip I couldn't help but really enjoy the overall experience because of its artistic merit and how incredibly unique it is in the landscape of animation even after 24 years. The first thing I really enjoyed about this anime was the action which is beautifully animated and rarely feels repetitive due to the unique Angels and varying situations keeping things fresh (Ex. The strategic sniping against the octahedron thing vs the sheer brutality of End Of Evangelion's big fight). Secondly this show is a straight up visual masterpiece with excellent shot composition and animation making every visual instantly memorable and striking (even when the budget was running out this series still had impressive stills). Thirdly I found the characters refreshingly realistic for a anime as they are dominated by negative qualities rather than being utter masterminds or peerless warriors who have indomitable spirits (not that this bad: See Gurren Lagann) and by focusing on those negative emotions it created an incredibly humane and empathetic portrayal of these characters in a way that very few shows have done for me. Finally I really liked how this show felt like it was deeply personal to its creator in a way that even many of my favourite shows and games never have as it makes all the emotions and dialogue on display even more touching because they feel real (Shinji's crushing loneliness, characters failing to connect with each other, wanting to be loved by others etc.) and as a result this was a anime that even with so many fantastical and mind bending elements always felt like it was grounded in truth and reality which was its greatest strength (kinda like Pixar's Inside Out). Overall I loved this show and while I don't think everybody's going to love it it is undeniably a fascinating show that at least deserves a watch as it is the progenitor of the modern anime landscape (Attack On Titan, Fate, Code Geass etc are all inspired by this to some degree) and is remarkably engaging as a singular work, 9/10.

The Umbrella Academy: I don't really have much to say about this show as I found it remarkably competent from top to bottom (direction, acting, editing etc.) but very uninspired at the same time with the show feeling like an off brand version of the X-Men and their iconic storylines (especially Days Of Future Past & Dark Phoenix). Overall this a good benchmark show for what I could consider an average show (AKA 7/10) as while Umbrella aims very low it accomplished its goal of being a mildly enjoyable knockoff of the X-Men. I'll probably binge S2 when it comes out as S1 was a ok way to spend a day.

Puella Magi Madoka Magica: Urobutcher did it again as this deconstruction of the magical girl genre is nothing short of outstanding. I would consider this to be a landmark of the animation medium with stuff like Eva and Samurai Jack as the animation and art are nothing short of absolutely breathtaking. The direction is also excellent in this series with varied shot composition and a excellent handling of pacing, action, and dialogue making this one of the tightest shows I've seen in recent memory with close to no filler. The Japanese sub is also some of the best voice acting I've seen in anime with the actors handling tonal and personality shifts perfectly and flawlessly capturing their characters + their journeys (Side note: I knew Chiwa Saito and Aoi Yuki were fantastic because of their work in Fate but damn they were nothing short of incredible here). Finally Urobouchi further proved himself a master of anime writing with a script that was engaging from start to finish with a great plot, characters that were 3D and well developed, a couple of well executed twists (one in particular was a perfectly savage heel turn on par with GOT and Black Mirror's most infamous twists), well written dialogue that was never dull, and a ending that was legitimately satisfying and true to the story being told. Overall I would give this a 10/10 as this show was pretty close to flawless and couldn't have been executed any better.

Gurren Lagann: This was just really damn well made and entertaining from top to bottom showing the highs that a more traditional anime can achieve. The technical side of this show was top notch with excellent use of colour and great shot composition + the animation being excellent and remarkably consistent. The cast of this show was solid from top to bottom with enough varied traits to make them stand out from each other, being remarkably likeable (From Simon to Yoko to Leeron to Kittan and of course Kamina they are all enjoyable), and most receiving solid amounts of development. This shows greatest element however was how uplifting it is to watch with characters doing the impossible (the final fight is nothing short of epic) and showing how anyone can be a hero as long as they believe in themselves and others making this show incredibly appealing even to someone who's world views lean towards pragmatism. Finally the action is just ridiculously fun to watch with varied situations and mecha keeping things fresh, the unexpectedly cool moments (Ex. the one fight where team Dai-Gurren's mecha fortress kicked a airship was wonderfully bizarre), and how the Gurren Lagann's power levels got increasingly ridiculous upping the stakes even further. Overall this was the most purely entertaining anime I've seen in recent memory and it definitely lived up to the hype, 10/10.

- Stranger Things S3: This was a great rebound season for this show after the clunker that was the uninspired S2. This was just a really entertaining season due to solid characterization, brisk pacing, and fun action being mixed with a far more original plot that pays homage to classics (Mostly body horror classics like John Carpenter's masterpiece The Thing mixed with pulpy fare like Raiders & Red Dawn) while still being original enough. What elevated it from a 7 to a 8 though was the shows technical brilliance with outstanding directing, effects, cinematography, and colour composition really going above the call of duty to give the show an extra push to reach the highest it has since S1 (still the best season).

Fullmetal Alchemist Brotherhood: I have heard for years how this show is the greatest anime ever (tops on both MAL and IMDB!) so this one had to prove it was worthy of its incredible hype but fortunately it passed this test with flying colours being a model anime in every way (Action, writing, world building, characters, animation are all A+). This show had an excellent understanding of the writing principle Chekov's Gun (good setup + good payoff = satisfaction) and as a result this one of the tightest series I've watched in recent memory and one of the most satisfying. The philosophy of the series is also remarkably engaging making this series not only one that entertains but also makes you think a rare combo in television. The world building is also stellar making the world of Amestris feel like a real lived in place (ex. lost civilizations, lore like the sage, conflicts like Ishbal, and the rules of alchemy) and helping to seed engaging mysteries and ideas into the overall narrative. The characters were incredible across the board from lovable sympathetic protagonists (Ed & Al) that have interesting conflicts and goals, villains that are not only threatening and despicable but also remarkably malleable and complex (Wrath, Greed, Pride, Father, Kimblee, Envy etc make for a truly awesome lineup of bad guys that could all anchor their own series), and of course some of the coolest anime badasses (Roy is a absolute favourite, Riza and Olivier are great female characters, and Alexander is awesome and endearingly sweet). The action is also splendid with varied battles and strategies mixed with ace animations (the fights against Wrath, Sloth, and Pride in the final act are my personal favourites) making for nary a dull moment. Finally the ending is pretty great taking a 62 episode story and ending it in satisfying fashion as a result of first ending the core conflict with grand sacrifices, character deaths, and touching moments and then having a epilogue to give the characters proper endings (even secondary characters like Havoc and Zampano/Jelso get touching sendoffs) and wrap up the themes of the series in smart fashion. Overall this series had a lot to live up to but fortunately it earned its title of a all time classic anime and closed out my recent classics tour on a remarkable high, 10/10

Spider-Man Far From Home: The Spidey golden age continues in this well made sequel to both Homecoming & Endgame. Tom Holland continues to be the best live action Peter Parker to date doing a phenomenal job of capturing the characters desires + insecurities (especially in the wake of the events of Endgame) and balancing that with his energetic Spider-man persona which the other two live action Spider-Men never quite captured. This movie was pretty much a pitch perfect Mysterio adaptation with a phenomenal performance from Jake Gyllenhall perfectly capturing the character's two faced nature (one moment nice and sweet, the next sociopathic and venomous) to a ridiculous over the top plot that captured everything wonderful about this character. The sweet high school antics are also nice here with a likeable group of believable oddballs making sure the quieter moments never sag and Zendaya especially got to be pretty great as a unique spin on MJ. Finally the action was just incredibly entertaining with some really fun set pieces, solid effects work, and good characterization (great to see Spidey use his intelligence and ingenuity to win the day). Overall this was another big win for my favourite Marvel character and I couldn't be more ecstatic for the future of this franchise between the Tom Holland films (Update: Good), the Insomniac game series, and of course the marvellous Spider-Verse. This movie gets a 9/10 with a definite recommend.

Legion S3 + Overall Thoughts On The Series: I wanted to love this show with all my heart as it is a original take on the superhero genre and a firm rebuttal to the soulless crap Disney puts out (Ex. their truly awful remakes that only exist to collect money) but this show was never able to quit its bad habits such as lousy characterization and a severe case of style over substance. Contrary to the complete negativity of the first sentence I think the show is still decent as it had some incredible technical work, acting, and was undeniably unique but the negative qualities held back the show from achieving true greatness and this review is a lament of that truth. Season 3 overall felt like the show in microcosm as the visuals & weirdness were turned up to 11 (Ex. the brilliant cheshire cat time eaters, some really neat sing alongs) but the show continued to cut massive corners in characterization to the point that most of the characters were poorly thought out ciphers (Ex. Switch is a blatant plot device/deus ex machina, Lenny's girlfriend can be described with pregnant & druggie) and the conclusion as a result of this ended up being hollow. The show also continued to suffer from a over complicated amount of incoherence as the show would frequently make things seem complex but actually have the depth of a puddle and this season was no different. Overall Legion is not a bad show but it feels like the biggest waste of potential I have ever seen as it kept showing signs of greatness but unfortunately the series finale reasserted this as a ambitious mess rather than something incredible, 7/10.

The Dark Crystal Age Of Resistance: I've known about this IP for a while through cultural osmosis (just like Eva, Code Geass etc.) and had no expectations outside of the rave critical reviews. Unfortunately this show was very weak as I found it to be a exercise in technical and world building masturbation that neglected basic things like story or characters. The story is hyper generic feeling like the worlds dullest mix of Tolkien & Final Fantasy rarely rising above the tropes set out by those superior works and having very little energy due to its insanely predictable plotting (Ex. easy to spot character deaths). The characters are pretty damn boring (minus the Chamberlain, Simon Pegg rules as him) with most of them feeling like anime knockoffs (the good just hero, the smart one, the cutesy one etc.) that never proved to me that they were any degree of interesting. I like the VAs but the writing gave them nothing to work with and the show floundered as a result. Honestly this show felt like Jim Henson's creature shop wanting to show off rather than having a story worth telling and this will come across as mean but those puppets (Gelflings not Skeksis) aren't good enough to hang an entire project on with their dead eyes, rigid faces, and weak limb movements. Honestly this show disappointed me nearly as much as Code Geass and Netflix has to seriously get it together as mediocre isn't good enough any more. I give this show a Eh/10 AKA aggressively boring in one eye and right out the other type work. God have mercy on The Witcher adaptation.

El Melloi Case Files: I was excited to watch this one as I am a massive fan of Waver Velvet from Fate/Zero and enjoy good mystery fiction but unfortunately this one was another misfire for the bloated and ailing Fate franchise. Usually I don't agree with MAL (Code Geass at #17 yikes) but a reviewer there accurately diagnosed the series core problem as being a poor take on detective fiction where instead of showing the viewer clues it just has Waver spew endless jargon at the viewer and pretend that its being clever when the random answer is explained step by step in a 5 minute conclusion. Other problems are the lacklustre animation (weak uses of CGI, off model characters), action that feels like it was made by someone ODing on sleeping pills, waifu culture overloading everything (isn't Gray so Kawaii!!!!), sluggish pacing, and timeline related stupidity (why is this series in media res? start from the beginning!). This is the third straight misfire this franchise has produced and I'm starting to feel like my love of Fate/Zero is being twisted to make me watch poorly made anime that only exist to expand Grand Order's web of active players and up merchandise sales. I think the series after the third Heaven's Feel movie (to be fair those look great) needs to take a long hard break and get back to basics as this franchise is just as lost and confused as Star Wars is. I rarely enjoyed my time with this series and many parts made me unintentionally laugh (Oh no not Doctor Heartless! I wonder if he knows Diehard Man?). Overall I think this is at best mediocre and at worst bordering on failure, 5/10.

Star Wars The Rise Of Skywalker: This project in many ways was doomed to fail as a result of the aggressively terrible & smug "The Last Jedi" leaving the new trilogy nowhere to go outside of back peddling & overloading the series with fan service (ie. Rey is the most important person to ever exist) because of its failure to truly subvert the series or blaze a new path forward for the series. I thought this movie was blandly inoffensive as it had all the requisite quality marks of modern Disney SW (excellent cinematography, set design, creature designs, visual effects) but suffered from a deeply awkward script that had no clue how to proceed from the previous movie and back peddled at every available moment. Ultimately the movie was vaguely fun and was better than its predecessor which was simultaneously boring & very dumb so I can't harp on it to much as it was simply given a impossible task to wrap up a trilogy that clearly had no plan, 6/10.

The Irishman: I can say that after watching this movie twice that this is my favourite movie of the year. This movie is an excellent subversion of the Goodfellas branch of Scorsese movies as it examines the world of crime through a character defined by his loyalty & passiveness compared to the power tripping of individuals like Jordan Belfort & Henry Hill. Frank Sheeran is a whole heartedly unique character in the pantheon of Scorsese anti heroes as he provides a fascinating look at what happens to individuals who are passive & let themselves be defined by others with Frank ultimately being wrecked with guilt, alienated from his family, and alone as a result of being unable to assert himself and simply being a company man. The movie also provides a fascinating insight into the mind of a killer with Frank never thinking twice about killing someone when ordered to by Russel & his associates but ultimately has a reckoning with what it means to take a life when he has a personal attachment to the mark. The acting per usual for Scorsese is excellent across the board with De Niro putting in a phenomenal lead performance, Joe Pesci returning to the limelight with an incredible performance that brilliantly subverts his Oscar winning turn in Goodfellas, and Al Pacino provides a wildly entertaining spin on the larger than life Jimmy Hoffa. Finally the direction is simply phenomenal with Scorsese once again providing a composed & well disciplined hand to the film. He also adds a multitude of excellent touches to the film like the gravestone descriptions on supporting characters (ie. like these people are faded ghosts who only live in Frank's memories) that elevate an already strong film to another level. I only have one complaint about this movie & that is the movies length as the Irishman has a brutal length of 3.5 hours which means that it is a true marathon of a movie where the viewer needs to be locked in all the time or a crucial detail might be missed compared to a movie like Return Of The King or Endgame are similarly long films but also primarily entertainment which makes there length a bit more palatable compared to this movie which is a character study. Overall this movie would be a strong 9/10 with a definite recommendation as it was a wonderfully unique movie with excellent performances, writing, and direction.

- Joker: This is essentially the movie equivalent of Attack On Titan S3 P2 IMO as the film has a weird reputation (double-sided this time!) and is more a mix of delirious highs & crippling lows than most want to admit. The first thing that most be said about this movie is that Joaquin Phoenix is stellar, he absolutely carries this film & deserved his Oscar a 100%. Secondly this movie is simply great in the technical department from cinematography, production design, and music this film deserved every nod it got. However this movie has a lacking script which doesn't really have a strong narrative direction, is largely an inferior version of three different movies, and feels like elements just got slammed into it especially the ending (Side note: the part of the script shown during the Oscars was really bad and might as well have said "Joaquin DO Something!" on it). The direction is also just fine but didn't standout in any way, shape, or form especially when compared to what it is nominated alongside. My final issue with the movie is how embarrassed it appears to be of its comic book origins as it feels like it attached itself to an IP in order to make money and doesn't actually like the character of the Joker or the comics he spawned from. Overall this is a better movie than critics say because at least it tries to harken back to a bygone era of Hollywood (somewhat successfully) where unique & complex movies ruled the box office (The Godfather, Apocalypse Now, Jaws, Taxi Driver) and has a compelling lead performance but the movie didn't deserve the rapturous rating on IMDB or a Best Picture nod as a result of feeling like a lesser version of superior movies mixed with IP film making, 8/10.

Recently Played
- Bloodborne: See Fav Game List

- Nier: Automata: One of my favourite games from 2017 and one that held up well on a recent replay. The combat is really fun in this game being a really solid hack & slash that never sags as a result of having tons of memorable boss fights, combat scenarios, perspective switches, and new abilities keeping things fresh over 30 hours of playtime. The story is this games bread & butter though with a incredibly inventive story that at first seems like a bog standard anime (sexy anime robots fight evil robots) but eventually reveals itself to be an extremely engaging and intelligent narrative about existentialism. Using multiple playthroughs to tell this story is also very creative as it efficiently builds the characters and their relationships before tearing it all down to question those same relationships and in some cases expose the truth behind them making subsequent replays hit harder. The true ending is also incredibly powerful and 100% worth getting as there is nothing quite like it. My only issue with this game is that the side quests are a little basic but their writing is usually enough to cover this flaw. Overall this is an incredibly unique game and I'm glad to hear that's become a cult hit and if you haven't played it check it out, 9/10.

- God Of War (PS4): I know this is going to be a controversial one but I borderline hate this game with a recently wrapped up second playthrough somehow making me hate it even more than the first time. The two positives this game has going for it is that Atreus is a stellar AI companion who's legitimately helpful and the game is graphically flawless with close to no bugs. The combat is a poor version of Bloodborne with the camera shoved too close to Kratos creating unnecessary obstruction and their solution to not seeing all enemies as a result of this is visual clutter in the form of ugly arrows. The RPG elements of this game suck with boring loot that barely feels different from each other and a unnecessary level element where enemies two levels above the player can kill Kratos in a hit which is ridiculous. This element feels like it was tossed in for no real reason other than popular games do it and it does a disservice to the game where levels and gear should be non existent and encounters should be skill based like Bloodborne a game with far better RPG elements than this one. The open world is also terrible feeling just as bad as the worst Ubisoft games where the side quests are boringly written fetch quests and everything is done just cause rather than being actually fun. The story is also by and large a failure as a result of being a never ending fetch quest (our McGuffin is in another castle!) with incredibly poor pacing as the game lingers for at least 9 hours too long. The failure to explore Kratos as a character was also immensely disappointing with the game barely exploring the fact that Kratos is a profoundly shitty person and even trying to justify his awfulness with crap like they deserved it (yea tell that to those random Greek civilians!) which undermines the games attempts at telling a self reflective tale. The enemy variety in this game is absolutely awful with the same enemies recycled to the breaking point and rarely requiring new tactics to beat them with the pinnacle of their creativity being a reused concept from Metroid Prime a near 20 year old game. The boss fights are also a disappointing mixed bag with two great ones (Baldur V1 and Magni/Modi) and a whole slew of bad ones with many variants of troll with different fart cloud and secret bosses that are all reskins of each other and frankly boring to fight compared to something like Bloodborne or Chrono Trigger where the secret bosses are awesome treats. I have never seen a more passionately soulless game than this one and I'm incredibly disappointed that this game sold its identity for a bland triple A one. Overall I would give this a 5 as this game is the pinnacle of gaming mediocrity for me.

- Spider-Man: This was my game of the year for 2018 as it kinda got lost in the shuffle between GOW and RDR 2 for many people but I found the gameplay way more fun than the other two and the story was pretty solid as well (definitely not as good as RDR 2 but easily smashed GOW). The gameplay absolutely nails the feeling of being Spider-Man with the web swinging being pitch perfect as I can literally do everything Tobey did in Spider-Man 2 and its all seamless and easy to pull off. The combat is also great borrowing from the excellent Arkham games while having a distinctly Spidey feeling with the combat being more agile and creative but it works incredibly well. Yuri Lowenthal is also great as Peter Parker really elevating the story with some of his best work to date. The story has some stumbles (sidelining Negative after two acts) but the characters are immensely enjoyable and many elements of the story are nicely developed and foreshadowed making the story better on replay surprisingly enough. Definitely a highlight in this golden age of Spider-Man, 9/10.

- Red Dead Redemption 2: A narrative masterpiece with characters, themes, and dialogue that is all top notch. Arthur Morgan is somehow an even better character than John Marston and I found his journey incredibly moving and beautifully acted by Roger Clark. The game on the other hand is a extremely mixed bag with tons of extraneous features that add basically nothing, main missions that are never ending shooting galleries, bizarre physics, and omnipotent cops lent over from Minority Report's Precog division all being massive negatives but there is also many positives like the world being truly gorgeous, full of fun side activities, and the reactive world when it works is truly mind bending. Don't go into this game expecting a masterpiece like the critics said or a trash game like the most overwhelmingly negative user reviews and I think you'll find a game that is just really good. Definitely a game that isn't for everyone but I still liked it nonetheless despite its flaws, 8/10.

- Nioh 2 Alpha: Not really my kinda game as the combat was slower than Bloodborne and the stamina management wasn't for me but I assume people who like Nioh 1 will like this. I was glad to get the invite though and hope I gave good feedback to the devs.

- Star Wars Jedi Fallen Order: This is easily the best Star Wars game since KOTR 2 due to being a really fun mix of Sekiro, Metroid, and Uncharted. The combat isn't as good as Sekiro due to the jank and lack of refinement (the parrying can be iffy & Cal feels slower than Wolf) but it is still very fun with a solid ebb & flow, some truly fun force abilities (Force Pull & Throw!), and excellent enemy variety (except for the bounty hunters). The boss fights are generally good with the beast fights being really meh compared to the humanoid fights where the game truly shines as it captures the perfect middle ground between the OT & prequels feeling epic but also grounded & raw, seriously want more fights like this as the 4 Sith fights are fantastic (played on Jedi Master difficulty). The story is fairly solid visiting an era of Star Wars frequently ignored (post Revenge Of The Sith) and providing a solid story about survivors overcoming trauma as well as learning from failure ( a theme shared with TLJ but handled better here) which while not incredible by any standard does provide a winning framework for a sequel. Finally the exploration isn't as strong as Bloodborne or Metroid (Super, Prime etc.) but is still fun with solid puzzles and enjoyable secrets ensuring that the world is a joy to explore however the sequel would benefit greatly from a fast travel system between checkpoints like the works of FromSoft. Overall this game has numerous flaws but was still highly enjoyable and ultimately left me pumped for a sequel, 8/10.

- Sekiro Shadows Die Twice: My favourite game of 2019 and the game that cemented FromSoft as one of the four best developers of the modern age alongside Naughty Dog, CD Projekt Red, and of course Nintendo. This is a brutally uncompromising game but the feeling of conquering titanic bosses by learning their moves & weaknesses to the hilt creates an almost perfect feedback loop of satisfaction & I don't think I'd have it any other way. This game also excels at creating the feeling of playing a true epic through its exceptional mix of gameplay & visual design with the final fight against the Sword Saint being the prime example as it captured the feeling of battling a legend with his movesets becoming more deadly and the environment being radically transformed from serene to pure chaos as the fight progressed. The core gameplay is per usual fantastic with FromSoft making a game that differs greatly from their past work (no RPG mechanics) but replaces it with a intricate system of deflects, dodges, and attacks that is gorgeously animated & perfectly balanced. The story is more direct than previous FromSoft games but it is once again well told with an intriguing world, interesting characters, and fantastic lore. My only criticism with the game is that the camera can sometimes be terrible with it struggling to keep up with the speed of the game, failing to communicate where obstacles are (a death sentence against Owl (father), SSI, and Demon Of Hatred), and getting easily stuck on the surroundings. Overall this game was fantastic and once again proved that FromSoft are remarkable developers who can effortlessly expand past the shadow of Dark Souls and I am super hyped for Elden Ring, 9/10 with a definite recommend.

The Outer Worlds: I have been a fan of the works of Obsidian for a long time and considering the fall of Bethseda studios from titans of the industry to purveyors of mediocre to downright terrible schlock, many including me were waiting to see if Obsidian could fill the void left by Elder Scrolls & Fallout. I wouldn't say that this felt like the triumphant return of the kind of RPGs that Fallout: New Vegas represented (excellent dialogue & story mixed with incredible role playing) but rather a good first stab at building a successor to the Fallout franchise. The first positive element of this game is the dialogue as it is frequently funny & intelligent just like the best of Fallout and it maintains that acidic wit that is largely missing from Bethseda's titles robotic dialogue. The second positive of the game is its stellar world building and engaging lore which basically equates to a combo of Fallout & Black Mirror which creates really fertile ground for sequels and companion pieces alike. The last thing I liked about the game was the fun roleplaying as I was able to create the character I wanted to play & I found the lack of a morality meter even more liberating as it meant my choices were genuinely my own. The negatives of this game are the intensely outdated combat systems which feel like they barely evolved since New Vegas & the lack of VATs makes this even worse, the climax which is disappointing with one of the worst excuses for a final boss I have ever seen, the game doesn't feel as complex as Fallout: New Vegas with most quests having easy solutions, the Board was a lousy alternative to Phineas since he was so clearly in the right & the Board were just a bunch of sociopaths or cowards making this option feel really weak in comparison to the alternative routes in New Vegas, the pacing is off with the climax happening in the blink of an eye compared to Edgewater & Monarch, and finally the entire game feels far too tiny with most areas having little to do in them outside of going to mission objectives & killing random enemies. Overall this game benefits a bit from scratching a itch that needed to be scratched considering Fallout 4 & Skyrim are fun but empty headed dungeon crawlers masquerading as RPGs while 76 is an abomination but the lack of ambition & inferiority towards the previous highs of Obsidian & Bethseda makes this a merely good spiritual successor rather than the revolution I have been hoping for since Fallout: New Vegas, 8/10.

My favourite pages

 * https://attackontitan.wikia.com/wiki/Marley
 * https://attackontitan.wikia.com/wiki/Eldia
 * https://attackontitan.wikia.com/wiki/Nine_Titans
 * https://attackontitan.wikia.com/wiki/Reiner_Braun
 * https://attackontitan.wikia.com/wiki/Great_Titan_War